the end of the Harlem Renaissance, a decade that saw continued racially motivated violence, especially lynching, the novel takes on both African Americans and whites who make too much of racial difference. Simultaneously, in his article A Fragmented Man, famous literary critic Henry Gates asserts that Schuylers depiction of the.S., black and white, is uniformly bleak: a world in which everyone is subject to and motivated by the same ruthless social and economic forces and out. Furthermore, Max fully expresses his desire to become white because he thinks this action will be an end to all his problems. With an ever-shrinking Black population, Schuyler demonstrates the cultural resonance. With this bizarre premise, Schuyler envisions African Americans scurrying to have the process done. This evidence proves the fact that Max has a strong desire to join a group of white club goers in order to be in their presence. Even though a secret research project reveals against the hopes of its sponsors that over 50 of the white American population has tainted blood leading one Nordic to admit that were all niggers now (Schuyler, 193) a subsequent reversal and redrawing of racial boundaries ensues.
To a black public wild to have it, Crookmans Black-No-More makes them not just white, but even whiter than white, too white apparently for regular white folks determined to be distinguished as such. George Schuylers Black No More Essay. In her work called George Schuyler: Paradox Among Assimilationist Writers Ann Rayson argues creatively that Schuyler cannot even be called an assimilationist because by the late 1960s the world he wants to be a part of is farther to the right than the majority culture.
4 (Winter 1994 531-548. It is a race issue pure and simple (Rayson, 105).
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From the critical and personal point of view, in Black No More Schuyler translates the categories of racial difference and white racist discourse into economic categories where they are no longer signs of racial essences but of whether an individual has been hired at the. Themes, characters, critical Essays, analysis 2, homework Help Questions with Expert Answers. Thus, according to Gates, regardless of whatever Schuyler advocated later in life, it underestimates Schuylers argument in Black No More to call it assimilationist, because making assimilationist arguments already presumes distinct categories of color and culture, but this would be difficult for Schuyler. Crookmans efforts have resulted in a treatment, which lightens dark skin permanently: no bleaches or creams, and the process is glandular and electrical (Schuyler, 27). Du Bois, and the National Social Equality League is clearly modeled on the National Association for the. Max Disher as one of the main characters of the story adheres to the belief that race should be understood as a critically distinguishing feature. "George Schuyler: Paradox among 'Assimilationist' Writers." Black American Literature Forum, Vol. Influenced by journalist. Crookman's treatment of whitening the skins of Blacks that eventually recreates the same racial hierarchy among society.
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